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・ List of Guggenheim Fellowships awarded in 1986
・ List of Guggenheim Fellowships awarded in 1987
・ List of Guggenheim Fellowships awarded in 1988
・ List of Guggenheim Fellowships awarded in 1989
・ List of Guggenheim Fellowships awarded in 1990
・ List of Guggenheim Fellowships awarded in 1991
・ List of Guggenheim Fellowships awarded in 1992
・ List of Guggenheim Fellowships awarded in 1993
・ List of Guggenheim Fellowships awarded in 1994
・ List of Guggenheim Fellowships awarded in 1995
・ List of Guggenheim Fellowships awarded in 1996
・ List of Guggenheim Fellowships awarded in 1997
・ List of Guggenheim Fellowships awarded in 1998
・ List of Guggenheim Fellowships awarded in 1999
・ List of Guggenheim Fellowships awarded in 2000
List of Guggenheim Fellowships awarded in 2001
・ List of Guggenheim Fellowships awarded in 2002
・ List of Guggenheim Fellowships awarded in 2003
・ List of Guggenheim Fellowships awarded in 2004
・ List of Guggenheim Fellowships awarded in 2005
・ List of Guggenheim Fellowships awarded in 2006
・ List of Guggenheim Fellowships awarded in 2007
・ List of Guggenheim Fellowships awarded in 2008
・ List of Guggenheim Fellowships awarded in 2009
・ List of Guggenheim Fellowships awarded in 2010
・ List of Guggenheim Fellowships awarded in 2011
・ List of Guggenheim Fellowships awarded in 2012
・ List of Guggenheim Fellowships awarded in 2013
・ List of Guggenheim Fellowships awarded in 2014
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List of Guggenheim Fellowships awarded in 2001 : ウィキペディア英語版
List of Guggenheim Fellowships awarded in 2001

List of Guggenheim Fellowships awarded in 2001.
==US and Canadian Fellows==

* Geneive Abdo, Independent Scholar, Washington, D. C.; Senior Research Associate, Middle East Institute, Columbia University: Faith, power, and the new Iran.
* Jeremy Adelman,〔 Professor of History, Princeton University: The political economy of revolution in South America, 1750–1824.
* Catherine J. Allen, Professor of Anthropology and International Affairs, George Washington University: Cultural patterning in Andean art.
* Fred Anderson, Associate Professor of History, University of Colorado at Boulder: Empire and liberty in North America, 1500–2000.
* Ray Anderson, Composer, Setauket, New York; Member of the Guest Faculty in Music, State University of New York at Stony Brook: Music composition.
* Tom Andrews, Poet, Athens, Greece; Member of the Faculty, MFA Program for Writers, Warren Wilson College: Poetry.
* Ann W. Astell, Professor of English, Purdue University: Medieval asceticism, mysticism, and aesthetics.
* Cristina Bacchilega, Professor of English, University of Hawaii at Manoa: Narrative and the politics of landmarks in Hawaii.
* Charlotte Bacon, Writer, Lee, New Hampshire; Assistant Professor of English, University of New Hampshire: Fiction.
* Claude Baker, Composer, Bloomington, Indiana; Professor of Music Composition, Indiana University Bloomington: Music composition.
* John A. Bargh, Professor of Psychology and Director, Graduate Program in Social Psychology, New York University: Nonconscious forms of self-regulation.
* James R. Bartholomew, Professor of Modern Japanese History, The Ohio State University: Japan and the Nobel science prizes, 1901–1949.
* Harry William Bartnick, Artist, Beverly, Massachusetts; Associate Professor of Painting and Color Theory, New England School of Art and Design, Suffolk University: Painting.
* Frank D. Bean, Professor of Sociology and Director, Center for Research on Immigration, Population and Public Policy, University of California, Irvine: Multiracial identification and America's color lines.
* James J. Beatty, Associate Professor of Physics and of Astronomy and Astrophysics, Pennsylvania State University: Studies of the highest energy cosmic rays.
* Florence Bernault, Associate Professor of African History, University of Wisconsin–Madison: The invention of witchcraft in colonial and postcolonial Gabon.
* B. Douglas Bernheim, Lewis and Virginia Eaton Professor of Economics, Stanford University: The political economy of legislative institutions and policy formation.
* Jason Berry, Writer, New Orleans: A history of jazz funerals in New Orleans.
* Maggie Bickford,〔 Associate Professor of History of Art and Architecture, Brown University: Auspicious visuality in China.
* Ralph Blumenthal, Writer, New York City; Arts and Culture News Reporter, The New York Times: The reforms of the Sing Sing warden Lewis E. Lawes.
* Christopher Boehm, Professor of Anthropology and Director, Jane Goodall Research Center, University of Southern California: The evolution of conflict resolution.
* Michele H. Bogart, Professor of Art History, State University of New York at Stony Brook: The Art Commission and public culture in New York City.
* Natalie Bookchin, New Media Artist, Los Angeles; Member of the Faculty, California Institute of the Arts: New media art.
* Kevin Boyle, Associate Professor of History, University of Massachusetts Amherst: The 1925 Sweet trials and the modern civil rights movement.
* Christopher Bram, Writer, New York City: Fiction.
* Martha Burgess, New Media Artist, Brooklyn, New York; Member of the Adjunct Faculty in Photography, Parsons School of Design, New School University: New media art.
* Charles Cajori, Artist, Watertown, Connecticut; Instructor in Art, New York Studio School of Drawing, Painting and Sculpture: Painting and drawing.
* Kathleen Cambor, Writer, Houston, Texas: Fiction.
* Ardis Cameron, Director of American and New England Studies, University of Southern Maine: Peyton Place as a social and cultural artifact.
* Alan Campion, Dow Chemical Company Professor of Chemistry and University Distinguished Teaching Professor, University of Texas at Austin: Spectroscopic studies of molecules adsorbed on solid surfaces.
* Jem Cohen, Film Maker, Brooklyn, New York: Film making.
* Cathy C. Cook, Film Maker, Brooklyn, New York; Visiting Assistant Professor of Film, Sarah Lawrence College: Film making.
* Marsha Cottrell, Artist, Brooklyn, New York: Drawing.
* John E. Crowley, George Munro Professor of History, Dalhousie University: Landscape art and Anglo-American identities in North America.
* Patricia Curd, Professor of Philosophy, Purdue University: A translation and study of Anaxagoras of Clazomenae.
* Gregory D'Alessio, Composer, Cleveland, Ohio; Assistant Professor of Music Composition, Cleveland State University: Music composition.
* Lynn Dally, Choreographer, Santa Monica, California; Artistic Director, Jazz Tap Ensemble, Los Angeles; Visiting Assistant Professor of World Arts and Cultures, University of California, Los Angeles: Choreography.
* Richard H. Davis, Associate Professor of Religion, Bard College: Processions in medieval South India.
* Marcel Detienne, Gildersleeve Professor of Classics, The Johns Hopkins University: The gods of politics in early Greek cities.
* Tom D. Dillehay, Professor of Anthropology, University of Kentucky: History and the identity politics of the Chilean Mapuche.
* Bruce Randall Donald, Professor of Computer Science, Adjunct Professor of Chemistry and Edward and Joan Foley Fellow, Dartmouth College: Algorithms for structural proteomics.
* James Drake, Artist, Santa Fe, New Mexico: Visual art.
* Andre Dubus III, Writer, Newburyport, Massachusetts; Lecturer in English, Tufts University: Fiction.
* Marcia Lea Due, Photographer, Amenia, New York; Adjunct Assistant Professor of Photography, Purchase College, State University of New York: Photography.
* Thomas L. Dumm, Professor of Political Science, Amherst College: Loneliness and experience.
* Patricia Ebrey, Professor of History and International Studies, University of Washington: The Song emperor Huizong and his China.
* Geoff Eley, Sylvia Thrupp Collegiate Professor of Comparative History, University of Michigan: The German Right from Bismarck to the present.
* William F. Fagan, Assistant Professor of Biology, Arizona State University: The challenge of addressing key problems in conservation biology with weak data.
* Michael C. Ferris, Professor of Computer Sciences and Industrial Engineering, University of Wisconsin–Madison: Optimization for medical applications.
* Steve Fiffer, Writer, Evanston, Illinois: A biography of the spinal cord.
* Robbert Flick, Photographer, Claremont, California; Professor of Art, University of Southern California: Photography.
* John J. Flynn, MacArthur Curator of Geology, Field Museum and Associate Chairman, Committee on Evolutionary Biology, University of Chicago: The interplay of evolution and geologic change in South America.
* Nick Flynn, Poet, Provincetown, Massachusetts: Poetry.
* Mark N. Franklin, John R. Reitemeyer Professor of International Politics, Trinity College, Hartford: The voter turnout puzzle.
* Tom Franklin, Writer, Galesburg, Illinois; Visiting Writer-in-Residence, Knox College: Fiction.
* Victoria Funari, Film Maker, Vallejo, California: Film making.
* John Ganim, Professor of English, University of California, Riverside: Theories of the origins of medieval culture.
* Joe Gibbons, Film Maker, Malden, Massachusetts; Instructor in Film, School of the Museum of Fine Arts, Boston: Film making.
* Simon Gikandi, Robert Hayden Professor of English Language and Literature, University of Michigan: Pan-Africanism and culture, 1860–1960.
* Rebecca Gilman, Playwright, Chicago: Play writing.
* Judy Glantzman, Artist, New York City: Painting.
* Daniel S. Godfrey, Composer, Syracuse, New York; Professor of Music, Syracuse University: Music composition.
* Edwin Erle Sparks Professor of Spanish, Pennsylvania State University: The new sentimental novel in Spanish America.
* Deborah M. Gordon, Associate Professor of Biological Sciences, Stanford University: The organization of work in ant colonies.
* Joanne Greenbaum, Artist, New York City: Painting.
* Daniel A. Griffith, Professor of Geography, Syracuse University: Scientific visualization of spatial autocorrelation.
* Sally Gross, Choreographer, New York City: Choreography.
* Jessica Hagedorn, Writer, New York City: Fiction.
* Joseph Y. Halpern, Professor of Computer Science, Cornell University: Decision-making in complex systems.
* Rebecca Harris-Warrick, Associate Professor of Music, Cornell University: Dance in French opera during the ancien regime.
* Ehud Havazelet, Writer, Corvallis, Oregon; Associate Professor and Director, Program in Creative Writing, University of Oregon: Fiction.
* Christine Heindl, Artist, Chauncey, Ohio; Associate Professor of Art, Ohio University: Painting.
* Anne Higonnet, Associate Professor of Art History, Wellesley College: A history of private art museums, 1848–1940.
* David Hilliard, Photographer, West Roxbury, Massachusetts; Member of the Faculty in Photography, School of the Museum of Fine Arts, Boston: Photography.
* Marianne Hirsch, Professor of French and Comparative Literature, Dartmouth College: Czernowitz and the Holocaust.
* Philip T. Hoffman, Professor of History and Social Science, California Institute of Technology: The role of crises in economic and financial development (in collaboration with Jean-Laurent Rosenthal).
* Joseph Horowitz, Independent Scholar, New York City: Music and the Gilded Age.
* Jim Isermann, Artist, Santa Monica, California; Adjunct Professor of Art, Occidental College: Visual art.
* Anil Kumar Jain, University Distinguished Professor, Michigan State University: The structure of multidimensional patterns.
* Roberto Juarez, Artist, New York City: Painting.
* Mehran Kardar, Professor of Physics, Massachusetts Institute of Technology: Statistical physics and biological information.
* Ira Katznelson, Ruggles Professor of Political Science and History, Columbia University: Liberalism and the city.
* Webb Keane, Associate Professor of Anthropology, University of Michigan: Missionaries, Protestants, and dilemmas of "modernity" in Indonesia.
* J. Gerald Kennedy, William A. Read Professor of English, Louisiana State University: Literary nationalism in the age of Poe.
* Dale Vivienne Kent, Professor of History, University of California, Riverside: Patronage and patriarchy in early Medicean Florence.
* Todd Kontje, Professor of German and Comparative Literature, University of California, San Diego: German orientalisms.
* Daniel W. Koontz, Composer, Southampton, New York; Adjunct Associate Professor of Music, Southampton College: Music composition.
* Maryanne Kowaleski, Professor of History and Director, Center for Medieval Studies, Fordham University: An ethnography of maritime communities in medieval England.
* Matthew H. Kramer, Fellow and Director of Studies in Law, Churchill College and University Reader in Legal & Political Philosophy, University of Cambridge: An analysis of the ideal of negative liberty.
* Arthur J. Krener, Professor of Mathematics, University of California, Davis: Normal forms and bifurcation of control systems.
* Michael Kubovy, Professor of Psychology, University of Virginia: A new approach to human pleasure.
* Joan B. Landes, Professor of Women's Studies and History, Pennsylvania State University: Artificial life in 18th-century France.
* Dorianne Laux, Poet, Eugene, Oregon; Associate Professor of Creative Writing, University of Oregon: Poetry.
* Asunción Lavrin, Professor of History, Arizona State University: Masculinity and the religious orders in colonial Mexico.
* Jocelyn Lee, Photographer, Cape Elizabeth, Maine: Photography.
* Ricardo Llorca, Composer, New York City; Member of the Faculty, The Juilliard School; Member of the Faculty, Spanish Institute, New York: Music composition.
* Sharon Lockhart, Film Maker and Photographer, Los Angeles; Associate Professor of Photography, University of Southern California: Film making.
* Elizabeth Lunbeck,〔 Associate Professor of History, Princeton University: Psychoanalytic practice in the United States before 1920.
* Eva Lundsager, Artist, New York City: Painting.〔http://www.gf.org/fellows/9115-eva-lundsager〕
* Vera Lutter, Artist, New York City: Visual art.
* Stephen Malawista, Professor of Medicine, Yale University: Studies of chemotaxis in human blood plasma.
* Mark Maroncelli, Professor of Chemistry, Pennsylvania State University: Computational studies of supercritical fluids.
* Beverly McIver, Artist, Chandler, Arizona; Assistant Professor of Painting and Drawing, Arizona State University: Painting.
* Cindy McTee, Composer, Denton, Texas; Professor of Music Composition, University of North Texas: Music composition.
* Susan K. Mikota, Veterinarian, Sumatra, Indonesia; Consultant, World Wildlife Foundation, Indonesia: A program for Sumatran elephant healthcare and conservation.
* Susan L. Mizruchi, Professor of English and American Studies, Boston University: American culture, economy, and the novel, 1860–1915.
* Toril Moi, James B. Duke Professor of Literature and Romance Studies, Duke University: Ibsen's modernity.
* Dilip Mookherjee, Professor of Economics and Director, Institute of Economic Development, Boston University: Land reforms and fiscal decentralization in the economic development of West Bengal.
* Rachel Olivia Moore, Independent Scholar, New York City: A study of folklore on film.
* François M. Morel,〔 Professor of Geosciences and Director, Princeton Environmental Institute, Princeton University: The biological chemistry of sea water.
* Brian Morton, Writer, New York City; Member of the Faculty in Writing, Sarah Lawrence College; Member of the Adjunct Faculty, Graduate Creative Writing Program, New York University: Fiction.
* John Mulvaney, Artist, Philadelphia: Painting.
* Nalini M. Nadkarni, Member of the Faculty in Tropical Biology, Evergreen State College: The communication of forest-canopy research to nonscientists.
* Marilyn Nelson,〔 Poet, Storrs, Connecticut; Professor of English, University of Connecticut: Poetry.
* Herbert Neuberger, Professor I of Physics, Rutgers University: Chirality in nature.
* Richard E. Nisbett, Theodore M. Newcomb Distinguished University Professor of Psychology, University of Michigan: Eastern holism and Western analysis.
* Jacki Ochs (Bio), Film Maker, New York City; Assistant Professor of Film, Purchase College, State University of New York: Film making.
* Raymond J. O'Connor, Professor of Wildlife Ecology, University of Maine: The practice of ecology.
* Julio M. Ottino, R. R. McCormick Institute Professor and Walter P. Murphy Professor, Northwestern University: Dynamics and self-organization in granular media.
* George Packer, Member of the Core Faculty in Writing, Bennington College; Member of the Visiting Faculty in Writing, Sarah Lawrence College: The human face of globalization.
* Geoffrey Parker, Andreas Dorpalen Professor of History, The Ohio State University: The world crisis, 1635–1665.
* Cliffton Peacock, Artist, Charleston, South Carolina; Associate Professor of Painting and Drawing, College of Charleston: Painting.
* Robert J. Penella, Professor of Classics, Fordham University: A study and translation of the orations of Himerius.
* Wyatt Prunty, Poet, Sewanee, Tennessee; Carlton Professor of English and Director, Sewanee Writers' Conference, University of the South: Poetry.
* Kevin Matthew Puts, Composer, Austin, Texas; Assistant Professor of Composition, University of Texas at Austin: Music composition.
* Ronald T. Raines, Professor of Biochemistry and Chemistry, University of Wisconsin–Madison: Automated protein assembly to mine the human genome.
* Sumathi Ramaswamy, Associate Professor of History, University of Michigan: Maps and modernity in India.
* Amy G. Remensnyder,〔 Associate Professor of History, Brown University: Conquest, conversion, and the Virgin Mary in medieval Spain and Spanish colonial America.
* Joan L. Richards,〔 Associate Professor of History, Brown University: Mathematics and spirit in the world of Augustus and Sophia DeMorgan.
* John Richardson, Contributing Editor, ''Vanity Fair''; International Consultant in 20th Century Art, Dickinson Roundell, New York: A life of Picasso, 1917–1939.
* Katherine Wentworth Rinne, Associate Fellow, Institute for Advanced Technology in the Humanities, University of Virginia and Visiting Professor of Landscape Architecture, The Iowa State University: The waters of the city of Rome.
* David Rivard, Poet, Cambridge, Massachusetts; Lecturer in English, Tufts University: Poetry.
* Anne Charlotte M. Robertson, Film Maker, Framingham, Massachusetts: Film making.
* George D. Rose, Professor of Biophysics and Biophysical Chemistry, The Johns Hopkins University: The physical basis of protein structure.
* Jean-Laurent Rosenthal, Professor of Economics, University of California, Los Angeles: The role of crises in economic and financial development (in collaboration with Philip T. Hoffman).
* Cynthia Rosenzweig, Senior Research Scientist, Earth Institute, Columbia University: The impacts of major systems of climate variability on world food security.
* Andrew Ross, Professor of American Studies, New York University: Work and play in the new economy.
* Janice L. Ross, Lecturer in Dance History, Stanford University: Anna Halprin and avant-garde dance.
* Margaret Russett, Associate Professor of English and Director of Undergraduate Studies, University of Southern California: Literature and abstraction in early 19th-century Britain.
* Marie-Laure Ryan (email), Independent Scholar, Bellvue, Colorado: Literary cartography.
* Joe Sacco, Comic-book Journalist, Sunnyside, New York: Comic-book journalism.
* Frederick Schauer, Frank Stanton Professor of the First Amendment and Academic Dean, John F. Kennedy School of Government, Harvard University: Generality and justice.
* Paul L. Schechter, William A. M. Burden Professor of Astrophysics, Massachusetts Institute of Technology: Studies in the microlensing of quasar lightcurves.
* Stephen A. Scheer, Photographer, Athens, Georgia; Associate Professor of Photography, University of Georgia: Photography.
* Hilary M. Schor, Professor of English and Gender Studies, University of Southern California: Women, fiction, and the subject of realism.
* Sarah Schulman, Playwright, New York City; Assistant Professor of English, City University of New York, College of Staten Island: Play writing.
* Freydoon Shahidi, Professor of Mathematics, Purdue University: New instances of functoriality.
* William Sheehan, Psychiatrist, Willmar, Minnesota: The structure and evolution of the galaxy.
* Shen Wei, Choreographer, New York City; Artistic Director, Shen Wei Dance Arts: Choreography.
* Daniel J. Sherman, Professor of French Studies and History, Rice University: The French and their "Others", 1945–1975.
* Amy Sillman, Artist, Brooklyn, New York; Visiting Assistant Professor of Painting, Bard College: Painting.
* Larry Silver, James and Nan Farquhar Professor of History of Art, University of Pennsylvania: The rise of visual genres in the Antwerp art market.
* Taryn Simon, Photographer, New York City: Photography.
* Yuri Slezkine, Professor of History, University of California, Berkeley: Moscow's house of government, 1928–1938.
* Bruce R. Smith, Professor of English, Georgetown University: Essays in historical phenomenology.
* Mike Smith, Photographer, Johnson City, Tennessee; Professor of Art, East Tennessee State University: Photography.
* Deborah Solomon, Writer, New York City: A biography of Norman Rockwell.
* Abigail Solomon-Godeau, Professor of History of Art and Architecture, University of California, Santa Barbara: Gender, genre, and the female nude in France.
* Lynette Spillman, Professor of Sociology, University of Notre Dame: Cultural dimensions of retail market exchange.
* Justin Spring, Writer and Scholar, New York City: A cultural history of Provincetown.
* Nancy Shatzman Steinhardt, Professor of East Asian Art and Curator of Chinese Art, University of Pennsylvania: Chinese architecture of the 4th to 6th centuries.
* Jeffrey Stock, Composer, Dix Hills, New York: Music composition.
* Richard S. Street, Photographer and Historian, San Anselmo, California: Photography and the farm-worker experience in California, 1850–2000.
* D. M. G. Sutherland, Professor of History, University of Maryland, College Park: The French agricultural revolution, 1660–1914.
* Peter Temin, Elisha Gray II Professor of Economics, Massachusetts Institute of Technology: Market economy in the early Roman empire.
* Karen K. Uhlenbeck, Professor and Sid W. Richardson Foundation Regents Chair in Mathematics, University of Texas at Austin: A geometric approach to soliton and wave equations.
* Gunther Uhlmann, Professor of Mathematics, University of Washington: Inverse boundary problems.
* Dale J. Van Harlingen, Professor of Physics, University of Illinois at Urbana-Champaign: Phase coherence and dynamics in superconducting circuits.
* David T. Van Zanten, Professor of Art History, Northwestern University: The architect's contribution to the shaping of European cities in the 1840s and 1850s.
* Paul E. Walker, Visiting Scholar, Center for Middle Eastern Studies, University of Chicago: A study of the caliph al-Hakim.
* Richard A. Walker, Professor of Geography and Chairman, California Studies Center, University of California, Berkeley; Chairman, California Studies Association: The urban experience of San Francisco, 1950–2000.
* Jim C. H. Wang, Mabel D. Clark Distinguished Professor of Chemistry, University of Nebraska-Lincoln: Laser spectroscopy of polymeric liquids.
* Charles Harper Webb, Poet, Glendale, California; Professor of English, California State University, Long Beach: Poetry.
* Michael V. Wedin, Professor of Philosophy, University of California, Davis: Perception, change, and noncontradiction in Aristotle's Metaphysics.
* Monte Westerfield, Professor of Biology, University of Oregon: Mechanisms that regulate patterning of the anterior central nervous system.
* Alan Wiener, Artist, Brooklyn, New York: Sculpture.
* Ruth J. Williams, Professor of Mathematics, University of California, San Diego: Mathematical theory for stochastic networks.
* Kathleen Wilson, Associate Professor of History, State University of New York at Stony Brook: Theatre, culture, and modernity in the English provinces, 1720–1820.
* Leigh Witchel, Choreographer, New York City; Artistic Director, Dance as Ever: Choreography.
* Kazuo Yamaguchi, Professor of Sociology and Faculty Research Associate, Alfred P. Sloan Working Family Center, University of Chicago: Statistical and behavioral modeling of family processes.
* Susan Youens, Professor of Musicology, University of Notre Dame: The social history of the lied.
* Arlene Zallman, Composer, Wellesley, Massachusetts; Professor of Music Composition and Theory, Wellesley College: Music composition.
* Nadine Zanow, Artist, Boston; Assistant Professor of Studio Art, Brandeis University: Painting.

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